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CULTURE, ARTS AND SOCIETY

Upcoming Program

May 06 - May 10, 2024 S833-01

Creating Futures: Art and AI for Tomorrow's Narratives

Hybrid

Online meetings and in-person program in Salzburg, Austria

Overview

In a world brimming with polarization, inequity and complexity, understanding and shaping our future is more crucial than ever. Artists and cultural practitioners are crucial in pushing the boundaries of how we understand ourselves and the world around us. They help us to move beyond the familiar, transcend borders between the present and the future, and encourage exploration into realms that seem improbable.

Creating Futures is a program focusing on the role of creativity, art and emerging technologies in challenging entrenched narratives and imagining more just and equitable futures.

This program will explore the emergent possibilities at the intersection of creative expression, technology, and artificial intelligence. It will also delve into the socio-technical terrain of our present, exploring the encoded biases of AI systems that magnify structural inequities and histories of erasure. It will provide a global platform for artists who are working to intervene in these narratives, critically exploring alternative possibilities, and coding alternative futures.

This program recognizes the power of art not just as a reflection of society but as an influential force capable of reshaping narratives and questioning the status quo. By embracing no singular "future" but a multitude of possibilities, this program highlights the transformative power of art in shaping the imagination and building true, lasting social change, offering a platform for diverse voices to redefine our collective future.

This program is by invitation only. If you feel a strong alignment with this year´s topic and feel you could contribute, please register your interest via this form.

 

People
Partners
Program Overview
Related News
Participants
Malik Afegbua
CEO, Slickcity Media, Nigeria
Hannah Andrews
Director, Digital Innovation (Arts)- British Council, United Kingdom
Kiley Arroyo
Executive director, Cultural Strategies Council, United States of America
Obi Asika
Director-general, National Council for Arts and Culture, Nigeria
Violeta Ayala
Filmmaker, Australia
Stefan Brandt
Director, Futurium, Germany
Glen Calleja
Executive, Arts Council Malta, Malta
Walla Capelobo
Artist, Brazil
Silvana Casuccio
Fine arts teacher, Spain
Maya Chacaby
Professor, York University, Canada
Guy De lancey
Associate director, Barnard College Movement Lab, United States of America
Nolan Dennis
Artist, South Africa
Oscar Ekponimo
Founder & CEO, Gallery of Code, Nigeria
Luba Elliott
AI art curator, elluba.com, United Kingdom
Aibe Elukpo
Head, Triggerfish Academy, Nigeria
Xiomara Enriquez
Leadership programs officer, W.K. Kellogg Foundation, United States of America
Jun Fei
Professor, Central Academy of Fine Arts, China
David Fisslthaler
Creative, Austria
Mona Gamil
Artist, Egypt
Phaan Howng
Artist, United States of America
Martin Inthamoussu
Arts manager, Uruguay
Amy Karle
Artist, United States of America
Simone Kessler
Artist, Germany
June Kim
Artist, United States of America
Octavio Kulesz
Director, Teseo, Argentina
Monica Lopez-Gonzalez
Co-founder & CEO, Cognitive Insights for Artificial Intelligence, United States of America
Erwin Maas
Artistic director, Unites States of America
Micaela Mantegna
Lawyer and activist, Argentina
Serena Marija
Founder, Sanctuary of Creation, United Kingdom
Stephanie Meisl
Founder, D#AVANTGARDE, Austria
Barbara Khaliyesa Minishi
Director and photographer, Kenya
Akihiko Mori
Journalist, Japan
Mutale Nkonde
Founder and CEO, AI for the People, United States of America
Jane Owen
Davidson Impact Fellow and Cutler Fellows program coordinator, Salzburg Global Seminar, United States of America
Maria Esmeralda Palaganas
President, PHx Fashion Group, Philippines
Angela Utibe Peters
Creative producer, Nigeria
Sahej (Harveet Singh) Rahal
Artist, India
Tiara Roxanne
Postdoctoral Fellow, Data & Society, United States of America
Doreen Alessandra Ríos Quijano
Curator and researcher, Mexico
Elena Said
Digital artist, Malta
Patrick Sam
Managing partner, Creative Culture Investments, Namibia
Sarian Sankoh
Senior program associate, Surdna Foundation, United States of America
Mariano Sardon
Artist, Argentina
Tunisha Singleton
Media psychologist, United States of America
Paige Turner
Executive assistant, W.K. Kellogg Foundation, United States of America
Pat Turner
Consultant-navigator, W.K. Kellogg Foundation, United States of America
Marcel Urayeneza
Leadership programs manager, W.K. Kellogg Foundation, United States of America
Eddie Wong
Artist and filmmaker, Malaysia
Sherry Wong
Artist, United States of America
Mikey Woodbridge
Artist, Germany
Kira Xonorika
AI Artist and Writer, Paraguay
PARTNERS
PARTICIPATION

The hybrid program will build new insights and aggregate perspectives and experiences from different parts of the art world. As participants you can expect to:

EXPERIENCE
• A candid and open exchange with peers under the Chatham House Rule.
• Time and space to disconnect and reflect from a wider ecosystem perspective.

GAIN
• Connection to an active international community of outstanding leaders working on this topic.
• Inspiration and learning from across the world and foresight into directions for future work.
• Relationships for coalition building across organizational, professional and geographical boundaries.
• Access to a vast network of Salzburg Global Fellows working across sectors to shape a better world.

GIVE AND RECEIVE
• Promising practices and draw on the group’s collective intelligence and experience to tackle challenges you face and leverage important opportunities.
• Information about projects, approaches, resources and case studies relevant to this topic.
• Opportunities for peer mentoring on ways to incubate, replicate, adapt and scale good practices.

Program Format and Timeline

Programs at Salzburg Global Seminar are highly participatory and create space for sharing perspectives, engaging in intensive learning, and committing to taking action.

This highly interactive, hybrid program will bring together 40 participants from across the globe for two online sessions and a four and half-day residential program at Schloss Leopoldskron, home of Salzburg Global Seminar, in Salzburg, Austria.

• Co-Creation Meeting 1, April 16th, 15:00 to 16:30 CET
• Co-Creation Meeting 2, April 23rd, 15:00 to 16:30 CET
• In-Person Program, May 6th (from 15:00) to May 10th (departure), 2024
• Online engagement through 2024 (cadence to be decided by group).

Key Questions

This program aims to be a global lab for innovation and systems transformation by combining theory, policy, and practice across sectoral silos.

It is anticipated that the program will address a wide range of key questions, including:

• How can artists and technologists collaborate to use AI as a tool for social justice and equity?
• How can the integration of art and artificial intelligence challenge and reshape entrenched societal narratives?
• What role does creative expression play in exposing and addressing the biases encoded in AI systems?
• What are the ethical considerations when merging AI with artistic practices, especially in the context of cultural representation and storytelling?
• What potential do tech-driven art projects have in predicting, exploring, and influencing future societal trends and values?
• How can we ensure that the use of digital technologies in art does not perpetuate existing inequalities but instead becomes a catalyst for positive change?

Please note that these questions are indicative: the exact questions and themes explored during the program will be co-created and decided upon by participants.

Participant Profile

As an unconventional convenor, Salzburg Global is committed to convening inclusive, international, interdisciplinary, and intergenerational programs.

This program will bring together 40 participants from around the world, including artists, technologists, futurists, curators, activists, social and political scientists, leaders of cultural institutions, policymakers, and academics.

We actively encourage participation from representatives of communities that have been historically less visible and privileged in the field of arts and culture. We especially welcome participation from people of color, disabled people, those who identify as LGBT*, those with low-income backgrounds, and from Indigenous, ethnically diverse, or migrant backgrounds. *LGBT: Lesbian, Gay, Bisexual and Transgender. We are using this term as it is currently widely used in human rights conversations on sexual orientation and gender identity in many parts of the world, and we would wish it to be read as inclusive of other cultural concepts, contemporary or historical, to express sexuality and gender, intersex and gender non-conforming identities.

This program is by invitation only. 

*LGBT: Lesbian, Gay, Bisexual and Transgender. We are using this term as it is currently widely used in human rights conversations on sexual orientation and gender identity in many parts of the world, and we would wish it to be read as inclusive of other cultural concepts, contemporary or historical, to express sexuality and gender, intersex and gender non-conforming identities.

Program Goals

The goal of this program is to provide participants with a supportive, cross-sectoral space to exchange experiences and adaptable practices, share lessons learned, be mutually inspired to strengthen and extend their artistic voices, and be empowered to take individual and collective action.

The in-person program is envisioned to produce tangible outputs, including a Salzburg Statement or Manifesto that will contribute significantly to the expanding body of literature on the intersection of art, technology, and societal change. Participants will also have the opportunity to contribute to an essay collection, providing a diverse range of insights on the program's central themes. The specific nature of additional outcomes will be decided collectively by the program participants.