Dani is a Kenyan-South African composer, producer, instrumentalist, sonic theatre artist. She is also a sound researcher working with black sonic auralities, dialogues of riddim histories in the sonic diaspora, experimental jazz and somatics as liberatory practices through aural imagery, listening and choreography. Her practices attempt to further challenge perspectives of formal language, its various limitations, historical narratives and plural fabulations thereof through aural somatics and the listening ear, where capitalist image based value-systems of art-making have failed. Her research work is an attempt to engage the listener in social-sonics as a means to ask questions, to listen and locate, to confront post-and-present-myths, and new imaginings of the present archive. Her practice involves marrying theatre with the political intersections of abstract, embodied performance, and techniques of improvisation, techno histories and musical memories through sonically curated and textured experiences in her live performances and installations. She's collaborated with Standard Bank Young Artist Gabrielle Goliath, Bronwyn Katz, and been hosted for La Biennale in Venice 2019. Her work has been curated by Christine Eyene (UK, Casablanca Biennale) and in the Listening Room group exhibition at Michaelis Galleries. She's been mentored by South Korean composer, cellist and improviser Okkyung Lee.